Yes, always noting the rider " the writer's intended effect ".
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AnonymousDo you agree with this observation?Probably. But I wouldn't call that "bad language" or "good language". I would call the writer "a bad writer" or "a good writer".
Anonymous"So far as the language used furthers the writer's intended effect, it is good; so far as it fails to further that effect, it is bad, no matter how 'correct' it may be."
It may well be "good/bad" in relation to the writer's "intended effect", to the extent that it promotes that effect or otherwise; but of course, in most cases, the reader has no way of kn
Anon Francesca di Lapo?No; Francesca da Polenta (or da Rimini).
AnonDid anyone ever accuse Kafka, Ginevra and Francesca...of "incorrect" language use?That wasn't really my point. As Barthes, Eliot, etc. have pointed out, a later text (or later events) may effectively modify an earlier text. Thus the episode of Paolo and F
ForbesI take the professor's comments to be made in a context where he is discussing "Englishes" and not literary criticism.How though do we assess the "intended effect" of an utterance, where we can't quiz the speaker?