The passage below is from Fathoms: The World in the Whale Hardcover by Rebecca Giggs.
(In antiquity, people corresponded with spirits that took animate form, spirits that came from other realms and dictated moral lessons.)...
What is at the heart of an animal, governing its behaviour, may reveal itself in time not to be a compelling mystery, but instead, a shameful familiarity: the rubble of the marketplace (still displaying its trademarks), or the polluted air. Our fear is that the unseen spirits that move in them are ours. Once more, animals are a moral force. We look to wild animals to see the history of our material intimacy with remote places, and the outer edge of our compassion. We look to animals, too, to see how we might survive the world to come; and how to cohabit with other creatures there.
In the first, the author says the moving force of animal’s behaviour may reveal itself to become known, but however it may turn out, this will reveal human’s shameful environmental destruction, which is not unprecedented such as devastated marketplace still showing its signboards.
Do I read right?
In the second, it can be described based on the parenthesized sentence.
Humans fear is that the unseen spirits that move in them(=animals) are ours(=our spirits).
Am I right?
The third sentence is clear.
The fourth is the hardest part.
I think I don’t understand the meaning of ‘our material intimacy with remote places’ and ‘the outer edge of our compassion’.
Here’s my rough guess on ‘our material intimacy with remote places’.
We need to look at wild animals to find out the history of our material intimacy with remote places, that is, to find out our past trace of pollution.
Even if my guess is right, I still don’t know what ‘our material intimacy with remote places’. ‘Material intimacy’ seems to suggest human consumerism, but I don’t get what ‘remote places’ is doing in this context.
Here’s my another rough guess on ‘the outer edge of our compassion’.
Does ‘the outer edge’ in this context mean the greatly harmed realm out of our reach of compassion toward the wild?
The last sentence is clear.
That’s all. Sorry to bother, but thanks.
Do I read right? There are composers, quite a few, who seem to think that dissonance equals profundity. There are writers who seem to think that inscrutability equals profundity.
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Stenka25In the first, the author says the moving force of animal’s behaviour may reveal itself to become known, but however it may turn out, this will reveal human’s shameful environmental destruction, which is not unprecedented such as devastated marketplace still showing its signboards.Do I read right?
There are composers, quite a few, who seem to think t