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Usenet Posted 17 years ago
Screenwriting

Inglourious

Just saw it. I really like Tarantino films. And this was... um how shall I put it... an overrated inexplicable huge pile of steaming ***?

What the hell was he thinking? Overwritten. WAY too much exposition in dialogue. Tedious subtitles for hours on end. The famed violence is barely a glimpse of a couple of things we've been primed for. The business of killing Hitler, Goebbels and all the others is... um... what? A schoolboy fantasy from 1940? Totally in love with the Nazi iconography.
About the only thing I ended up enjoying was Brad Pitt - who looked like Marlon Brando in the Godfather with his jowls and moustache and sounded like Gomer Pyle. But at least he was having fun, and was a breath of fresh air whenever he graced us with his presence - which he didn't for a full 45 minutes. As for all the movie references, well so what?

I want my time back.

"If you can, tell me something happy."
- Marybones
  

Top answer

[nq:1]Just saw it. I really like Tarantino films. And this was...

  • [nq:1]Just saw it.
  • I really like Tarantino films.
  • And this was...
  • um how shall I put it...
  • [/nq] Are you channeling NM Stevens?
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11 Answers
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[nq:1]Just saw it. I really like Tarantino films. And this was... um how shall I put it... an overrated inexplicable huge pile of steaming ***?[/nq]
Are you channeling NM Stevens?
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[nq:1]Just saw it. I really like Tarantino films. And this was... um how shall I put it... an overrated inexplicable ... movie references, well so what? I want my time back. "If you can, tell me something happy." - Marybones[/nq]I loved it and will see it again. I had one major problem though. I thought the soundtrack for the opening credits was over modulated, and figured thats just QT doing his
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[nq:1]Just saw it. I really like Tarantino films. And this was... um how shall I put it... an overrated inexplicable huge pile of steaming ***? What the **** was he thinking?[/nq]
I am fairly certain that he was thinking that every shot he films and every word he writes is so precious that it would be a crime to spare us filmgoers a single one. Ergo, the pacing problems that first showed thems
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[nq:1]Just saw it. I really like Tarantino films. And this was... um how shall I put it... an overrated inexplicable huge pile of steaming ***?[/nq]
I'm not going to accuse Tarantino of being a no-talent, but clearly he's more of a collage-artist than an original filmmaker. I think the only movie of his I've ever really enjoyed was JACKIE BROWN, and that's probably because it's the only one he
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"Avoid normal situations."
[nq:1]All the stuff about UFA and Goebbels basically being the **** movie mogul is interesting. It just doesn't belong in ... from the viewer's knowledge of the historical context in which it was made, and Gilliam's version is much better IMHO.[/nq]
I did see Munchhausen and I agree. The one I would like to see is the one whose title escapes me - a huge 18th war
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[nq:1]Honestly, if he wasn't pilfering from obscure Cult movies he's be decried as a plaigarist instead of genius.[/nq]
Again, I'll add that Paul Zimmerman, former film reviewer for Detroit's Orbit Magazine and later Film Threat, was the first to write about Tarantino's familiarity with City on Fire, so that Orby T-shirt QT wears in PF has always been a fun little nod.
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[nq:1]I left still not knowing whether that blown out sound was intentional or just bad projection. So I guess I will find out when I see it again. Anybody else get bad audio?[/nq]
Sound was fine to me (in the UK, 35mm print).
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[nq:2]All the stuff about UFA and Goebbels basically being the ... it was made, and Gilliam's version is much better IMHO.[/nq]
[nq:1]I did see Munchhausen and I agree. The one I would like to see is the one whose title escapes me - a huge 18th war epic that Michael Medved cites in oneof his Golden Turkey books.[/nq]
19th, actually. Kolberg .
[nq:1]They diverted thousands of actual sol
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"Avoid normal situations."
[nq:1]To not only you, but the group at large: has anybody here seen any ****-era UFA productions?[/nq]
I looked up what William L Shirer had to say about ****-controlled motion pictures:
(From 1933 t)he films remained in the hands of private firms but the Propaganda Ministry and the Chamber of Films controlled every aspect of the industry, their task being -
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"Avoid normal situations."
[nq:2]I did see Munchhausen and I agree. The one I ... that Michael Medved cites in oneof his Golden Turkey books.[/nq]
[nq:1]19th, actually. Kolberg .[/nq]
That's the one.
[nq:2]They diverted thousands of actual soldiers to work as extras ... defend the fatherland. I'm not sure it was ever released.[/nq]
[nq:1]Oh, it was, at least on tape. I bet it a

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