God HELP ME! WHAT DO I DO?!?

I looked up Gallagher on imdbpro, and since he's got a deal with Paramount (credited as a Producer on an upcoming film), he obviously knows how to sell things to the studios.
So, if getting produced is your goal, then it's a no-brainer.

But, if you want to tell people you have an "agent," go with Krupp.

-ADS.

[nq:1]They both like my material. I feel if I don't get on the train soon, it will leave without me![/nq]
Relax. Take a deep breath. Do your research.
Neither of them will lose interest in your if you take a week or two to figure out what you want to do.
(I'd try to figure out more about these cats for you but really don't have time right now.)
But seriously, slow down. Deep breath

Okay, I said I didn't have time, but I took a quick look at Gallagher's page.
His resume looks about what I expect a literary manager's resume to look like. He spent some time at some second-tier agencies. I don't know if I buy some of the fluff ("brought more revenue than any agent in the history of the agency" - I just don't buy that, because I think APA does talent, too. And the big moneyma

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[nq:1]Mates, Kristine Krupp, who is WGA? Or Rob Gallagher http://www.gallagherliterary.com? What do I do?[/nq]
http://en.wikipedia.org/wiki/Writers Guild of America

I told you wh

[nq:1]Mates, Kristine Krupp, who is WGA? Or Rob Gallagher http://www.gallagherliterary.com? What do I do? They both like my material. I ... interested. Do I go with a practically unknown WGA agent? Or known, but not WGA Gallagher? I'm frickin' freakin! Advice![/nq]
Why don't you describe in a little more detail what

Bidding war Dude, bidding war!