To my consternation, my comprehension of the concepts listed in the subject line has been questioned, and I consequently crave corroboration from the cognoscenti. Please consider the following content and confirm or confute my convictions. Thanks. ;-)
I'm sure we all intuitively know what a syllable is, but the precise definition of the word has become important to my understanding of poetic metre. For instance, does a diphthong split a vowel sound into two syllables or not, and is that necessarily two metrical beats?
The definitions I found are:
syllable: a unit of spoken language consisting of a single uninterrupted sound formed by a vowel, diphthong,
or syllabic consonant alone, or by any of these
sounds preceded, followed, or surrounded by one or more consonants.
diphthong: a complex speech sound or glide that begins with one vowel and smoothly changes to another vowel
within the same syllable.
Both of those definitions seem to me to be saying that a diphthong does
not split a syllable in the middle of the vowel sound. However, when I show people the list of words below they claim that most of them have two syllables! Now obviously, most laymen have not taken the trouble to look up the precise definition of syllable and diphthong so I am perhaps expecting too much of them to get it right. Another point is that, within metrical poetry, many of these words would more naturally fit across two beats than one, so perhaps people are confusing syllables with beats.
In the list below I have indicated whether I think each word contains a diphthong, how many syllables it is, and how many beats I think more naturally fit for the purposes of poetic metre. Bear in mind, though, that the number of beats is a very subjective thing dependent upon which metre is being used (iambic, anapaestic, etc), where in the metrical pattern the word falls, the degree of emphasis desired, and even the regional accent of the speaker. Therefore different situations would require a different allocation of beats. If anyone can help me with the two that I was not sure about, or can correct any of the others, then please do.
Word Diph? Sylls Beats
~~ ~~ ~~ ~~
bias y 1 2
boas y 1 2
coed no? 2? 2
coin y 1 1
cues y 1 1
dial y 1 1
dias y 1 2
diet y 1 2
dual y 1 1
feud y 1 1
fuel y 1 1
hues y 1 1
kiev y 1 2
leon y 1 2
leos y 1 2
lion y 1 1
moet y 1 2
neon y 1 2
noel no? 2? 2 (as in Christmas)
noel y 1 1 (as in Edmonds)
poem y 1 1
poet y 1 2
quad y 1 1
quid y 1 1
quip y 1 1
quit y 1 1
quiz y 1 1
riot y 1 2
ruin y 1 2
suez y 1 2
vial y 1 1
zion y 1 2
By now you might be wondering what triggered me to look into this in such depth. Well, in uk.rec.humour, someone posted the following haiku:
To Write a poem (4 syllables)
Of Seventeen syllables (7 syllables)
is very diffi... (5 syllables)
(4+7+5 = 16)
So I pointed out that the joke didn't work if it was actually possible to complete the poem in seventeen syllables. Knowing that the haiku form expects 5, 7, and 5 syllables in that order, I could see that the first line was a syllable short, and from that I realised that "poem" was the point of contention. Now, the way I pronounce "poem" is more naturally a single beat but, even assuming the author wanted to stretch it to two beats, it is still a single syllable.
Anyway, several people disagreed with me, as you can see:
http://groups.google.com/groups?th=a64a610835129fe2Would the good people of this group mind giving me some validation to ameliorate that rejection? Thanks.
James Taylor, Cheltenham, Gloucestershire, UK. PGP key: 3FBE1BF9 To protect against spam, the address in the "From:" header is not valid. In any case, you should reply to the group so that everyone can benefit. If you must send me a private email, use james at oakseed demon co uk.