02br 02br 00>> American "o" (not, ***, cop, top, shop, stop, shock... 02br 02br 00>> tapped t, some t's become slight d's (put it away -----> puddid away, about it -----> aboudit) <<02br 02br 00In North American English they become flaps not d's. 02br 02br 00>> the diphthong in words like "no, so, low, owe", pronounced the American way.
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01cite10Marvin A.12cite10>> z sound + y = s as in pleasure (for example, the s in "as you know" sounds like the s in pleasure) <<12br
10>> s + y = sh (this year ----> this sheer) <<12br
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10These two are actually not found in General American, especially the first one.12br
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01p00It’s rather hard to work out quite what you are looking for here.00 00Some of these features – as Marvin A was pointing out – are not specifically American English pronunciation, but the allophonic variation that occurs in connected speech.00 00That is, the pronunciation of some sounds is influenced by the sounds around them becau
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10The American pronunciation of “o” in your next example wouldn’t be found in any regional accent of British English that I can call to mind immediately, though there is considerable variation in the pronunciation of this sound – for example, in 111210, 1
02br10All singer
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10I've heard British singers who tap their t's, pronounce the o's in "not, ***, etc." like the "a" in "car", ect. Is that because they want to imitate an American Accent, then? Robbie Williams sings that way, he's British, so what kind of British accent does he have?12br
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01span00Marvin’s right, but there is also a tendency / convention among British pop singers to deliberately adopt a more American pronunciation when singing – and conversely, some singers who very deliberately don’t Americanise their accents in song – for example, Lily Allen or The Streets.02span02p
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01cite10Kooyeen12cite10And so it seems he's not the only one who tries to Americanize songs.12br10You're right, he isn't: Elton John is another good example of this hmm... phenomenon.0-
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